Culture

Freedom and improvisation prove that there are no mistakes in art

For this session far from the usual, the room in the former building of the library "Hivzi Sulejmani" has been transformed into an intimate space with cushions spread across the floor, dim lighting, creating a different environment that invites the audience to be closely involved with the spectacle unfolded. Walls are falling down there (Photo: Flamur Qorolli / Center for Narrative Practice)
 

The performance "Was bleibt kollektive | Gentian Doda" and Ilir Bajri came as an experimental display of movements, sounds and images as he transformed the Center for Narrative Practice into an intimate space for unique and individual exploration of artistic expression. In this sphere of spontaneity, the audience embarked on a journey guided by the notes of Ilir Bajri, accompanied by the movements of Rosella Pellicciotti and Fjorald Doci, under the artistic leadership of Gentian Doda. The show not only collapses the concept of art, but also that of man himself. A performance like this, among other things, proves that there are no mistakes in art

The road to the Center for Narrative Practice wrapped in the buzz of the capital on the last evening of November gives even more weight to the everyday, the ordinariness with it. And at the entrance of the building of the former library "Hivzi Sylejmani", protected as a monument, there is a disconnection from all this almost memorized experience. There, the atmosphere is charged with the electricity of spontaneity. "Was bleibt collective | Gentian Doda" and Ilir Bajri are there to orchestrate an evening with a combination of movements, sounds and images and to unfold an experimental experience of creativity that transcended the limits of conventional art.

For this out-of-the-ordinary session, the room was transformed into an intimate space with cushions scattered across the floor, dim lighting, creating a different environment that invited the audience to become intimately involved with the unfolding spectacle.