Culture

Maestro Dylla elegantly tells Mitrovica through the guitar

Marcin Dylla (47) opened the concert with "Capricco Diabolico op. 85” by Mario Castelnuovo-Tedesco and has been a powerful introduction to dissecting his style and techniques. The concert at the City Museum in Mitrovica was the first for him in Kosovo
 

Marcin Dylla is not just a performer. He unfolds stories through the instrument, and the guitar in his hands seems inadequate. The opening of the fifth edition of "Mitrovica Guitar Days" with the Polish classical guitar maestro was a hit on the mark. The prestigious American "The Washington Post" has described him as "among the most talented guitarists on the planet" and as soon as he starts playing, such a description does not leave much room for comment. Tuesday night's concert at the City Museum was a sensational journey through sound

With the first touch of the strings - after a deep breath as a concentration technique - the magic of the guitar sounds starts to spread in waves throughout the space of the Mitrovica City Museum. His name speaks volumes: Marcin Dylla. The opening of the fifth edition of "Mitrovica Guitar Days" with the Polish classical guitar maestro, was a hit on the mark. The prestigious American "The Washington Post" has described him as "among the most talented guitarists on the planet" and as soon as he starts playing, such a description does not leave much room for comment. Before starting the performance, there was a prayer for the audience: no one should shoot and everyone should enjoy the concert as he himself wanted to enjoy it. The public has obeyed as it has enabled this rare phenomenon, as the critics call it, to take it with them on a boundless musical journey. Pink lights illuminated the colorful space was the musical journey with this popular stage musician.

Dylla (47) opened the concert with "Capricco Diabolico op. 85” by Mario Castelnuovo-Tedesco and has been a powerful introduction to dissecting his style and techniques. He is not just a performer. He unfolds stories through the instrument, and the guitar in his hands seems insufficient. Before each work in the repertoire, he warned the audience what to expect. It continued with "Sonata no. 34" by Silvius Leopold Weiss and also "Sonata op 23" by Wenzel Thomas Matiangas, which starts quietly but intensifies with a kind of harmony of parallel melodies where each note requires its own precision. The bass playing is like a separate work but neatly interwoven with the solo part. With the next work, he crossed a century in music literature.