Culture

"Crow" with portraits of women, emerging from the walls in the call for equality

Most of the portraits are found on the plastered walls of the building that until now has served as a primary school. Not coincidentally, it comes with the symbolism that women's contribution lies in the shadow of men and must be tracked down to discover it.
 

Crow's crow is genesis. It does not come across as ominous, but personifies the voice of a woman. The Malaysian artist, Milena Jovicević, has occupied the walls of the "Archive" of Peja, once a school object, with portraits of prominent women. They hide through the faded facades as if they intend to get out of there. There are also portraits on the floor. Frames without portraits have a different meaning and what they have in common is the call for equality

There are many figures of women inside an object. But it is not easy to explore them. Their signs are often a kind of mosaic that takes time to reveal. The contemporary art institute "Arkiv" in Pejë has been their shelter within the framework of the "Crow" exhibition of the Malaysian artist Milena Jovicević, who is not a little rebellious about gender differences.

All the elements of the exhibition are slightly visible, but with a very significant and powerful message. Most of them are found in the battered walls of the building that until now has served as a primary school. Not coincidentally, it comes with the symbolism that women's contribution lies in the shadow of men and must be tracked down to discover it.